Underwater DSLR Rig in a box. Or a bag.

July 22nd, 2010

 

This is a gear intensive sport, no doubt about it. Combine that with the fact that airlines are turning into absolute misers when it comes to baggage, and it’s no wonder that some people are abandoning DSLR’s for smaller cameras. That’s a shame, though, because giving up on DSLR means giving up on significantly better image quality, better lenses, shallow depth of field, fast focus…. ouch.

 

The Canon T2i with a Nauticam housing, along with a small dome like the Zen Underwater 100mm Fisheye dome and small strobes like the Inon S-2000 or the Sea&Sea YS-01 might be just the antidote for this. I wanted to see just how well a rig like like packed, so I assembled a representative set of gear and a couple of candidate pieces of luggage.

 

I started with a Pelican case, model 1510. This is a popular size Pelican because a) it is carry on legal and b) it has wheels and a handle.

The Pelican 1510 - Carry on size with wheels

The Pelican 1510 - Carry on size with wheels



DSLR rig in a box

DSLR rig in a box

A complete T2i setup

A complete T2i setup


The Pelican handled more that I thought it would. I was able to pack the housing, camera, viewfinder, 3 lenses, 2 ports, a port extension, zoom/focus gears, strobes, arms, clamps, and a focus light into the box. I had some room to spare so I added a battery charger for the camera, plus a spare battery. Still more room, so I added strobe batteries, 8 cell battery charger, charger for the focus light, spare o-rings, and o-ring grease.

 

Basically, a complete DSLR rig, with not one but three lenses, a macro port and a dome port, plus everything else needed, all in a carry-on sized box. With wheels.

 



 

Ok, so then I tried to see how much I could fit into a large camera backpack, but not too large; the kind that would fit under the seat in front of you. Maybe like the Tamron Evolution 8. My thinking was that I’d be able to fit the housing and the 18-55, with one port and two strobes, and that’s it. The backpack is pretty narrow, so I had to remove the handles from the housing, but once I did that, I was pleasantly surprised with how much I could fit in there (the same could be done for the Pelican, of course, which would let you put even more gear in there). I was actually able to get all of the same gear into the backpack, plus my laptop went nicely into the laptop pocket.

The Tamrac Evolution 8 Backpack

The Tamrac Evolution 8 Backpack



Nauticam NA-550D housing in the backpack

Nauticam NA-550D housing in the backpack



Fully loaded

Fully loaded



All of the gear from the backpack

All of the gear from the backpack

Yes, you read that right…. a complete DSLR rig plus a laptop… in a carry-on sized backpack.

 

Here’s a list of what I packed:

  • Nauticam NA-550D
  • Nauticam 180º viewfinder
  • Nauticam 0.66x standard viewfinder
  • Canon T2i body
  • Canon 18-55 lens
  • Canon 60mm macro lens
  • Tokina 10-17mm fisheye zoom lens
  • Nauticam Compact Port 15 + port base + covers
  • Zen Underwater 100mm fisheye dome port + cover
  • Nauticam 20mm extension ring + cover
  • 2x Inon S-2000 strobes
  • 2x Nauticam Fiber Optic cables
  • Light&Motion Sola 600 focus light
  • Sola 600 charger
  • Canon LC-E5 Battery charger for T2i
  • 2x LP-E5 battery for T2i
  • 8 LSD NiMH batteries
  • PowerEx 8 cell battery charger
  • 2x Nauticam M10 strobe mounting balls
  • 2x ULCS Inon adapters
  • 7x ULCS clamps
  • 2x ULCS 8″ arms
  • 2x ULCS 5″ arms
  • ULCS hotshoe adapter
  • ULCS adapter for Sola
  • Nauticam Zoom gear for Canon 18-55
  • Nauticam Zoom gear for Tokina 10-17
  • Nauticam Focus gear for Canon 60mm macro
  • 2x Nauticam lubricant
  • Spare housing o-ring
  • Spare port o-ring
  • Spare Inon o-rings
  • Inon o-ring grease
  • 15″ Apple Macbook Pro (in the backpack only)

All of that, in one carry-on sized bag. Now there’s no excuse to shoot with less than a DSLR.

Guest Blog Post: Bent Christensen

July 16th, 2010

 
Note from editor: This is a guest blog post send in by Nauticam customer Bent Christensen. We’re publishing it here, un-edited.


As many other underwater dslr-photographers, I have on a regular basis bought new gizmos in the hope that my pictures would get that last little bit better, getting me up in the ranks of the “how in the world did you do that?” shooter rather than “nice pics, I especially like the sharp one of the turtle” shooter. Of course, as most of you that has been shooting dslrs for some years, almost always in vain. Most of the stuff I have bought have been good to have (an extra strobe, new strobe arms, buoyancy arms, a new focus light, an extra port and so on), making shooting easier and more fun, but not giving any marked difference for the end result. However, with the recent purchase of the Nauticam viewfinder, I find that this piece of equipment certainly has the potential to increase the quality of my pictures.

Green Turtle with Remoras

Green Turtle with Remoras



But why should anyone buy an additional viewfinder to housing? After all, all housings already have a viewfinder, and the additional viewfinders are by no means cheap. I use Ikelite housings, which comes with a “Super-Eye magnifier” which I, to be honest, find neither super nor magnifying. I have been annoyed for years with this viewfinder, which not only shows only part of the camera viewfinder, but also is very hard to judge critical focusing with. Furthermore, being flush with the housing, in order to see at least some of the cameras viewfinder, the Ikelite viewfinder requires the mask to be crammed onto to the back of the housing, with all the disadvantages associated with that (leaking mask for one!).

So, another viewfinder could be the solution to all this and I researched the options. The Nauticam viewfinder had just been released and came out as one of the more reasonably priced (in the context of viewfinders that is!), got good, but few, reviews, and, which sealed the deal for me, is available with adapters for several different housings.

Nauticam Viewfinder on Ikelite housing

Nauticam Viewfinder on Ikelite housing


So what do you get for your cash? First of all, the Nauticam viewfinder is a very rugged piece of equipment. It seems to be very well built. It is heavy, which is quite nice, as it indicates that there is quite some glass in it. It also has a protruding diopter adjustment knob on its right side, allowing easy dioptre adjustment under water. The viewfinder comes with a well built adapter for the specific housing it is intended for and probably a manual as well.

Scorpionfish

Scorpionfish



The installation in an Ikelite housing is very straight forward. As I bought the viewfinder pretty early, the manual for Ikelite housings wasn´t yet available, so I had to install the viewfinder by using my technical talents. Sadly enough those talents are really limited! However, I actually succeeded in installing the viewfinder correctly without any major problems on my first try! I received the manual a week after my installation, and could confirm that I had done it correctly. The major part of the installation is to attach the adapter to the housing. First of all, the standard (“Super-eye magnifying”) viewfinder is removed, which is really easy. The Nauticam adapter is a sturdy tube, which with the help of a supplied tool is screwed into the threads where the standard viewfinder was positioned. The adapter tube is sealed with an o-ring to the back of the housing, essentially in the same way the standard viewfinder is sealed. Then an index ring is placed on the adapter tube and secured with a retaining ring. The index ring orients the viewfinder, and prevents the viewfinder from rotating freely. The viewfinder, which has a tube on the housing side of it, is then pressed into the adapter, where the viewfinder is sealed with two o-rings. Finally, the viewfinder is secured to the housing with a retaining o-ring on the inside of the housing back plate.

Cabbage coral and diver

Cabbage coral and diver



So does it work? The answer to that is a whooping YES! To say that the difference is like looking through a key hole compared to a window might be exaggerating somewhat. However, the difference between the standard Ikelite viewfinder and the Nauticam viewfinder is amazing! The Nauticam covers 100% of the picture, is far brighter, seems to be sharper, and it is possible to read the lcd-strip information at the bottom of the camera viewfinder. When it comes to critical composition of scenes, it is really wonderful to be able to see the corners of the frame. Also, doing macro, I can actually tell where the focus is before taking the picture. With supermacro, using the Subsee diopter, it is an even bigger deal to be able to exactly see where focus is. So in conclusion, I actually expect this piece of equipment to be able to assist me in getting at least some great shots in the near future.

Nauticam Viewfinder on Ikelite housing

Nauticam Viewfinder on Ikelite housing


Pros: Great image in viewfinder, bright, allows critical composition, covers 100% of the camera viewfinder, it is possible to read the lcd in the camera viewfinder, excellent viewfinder build quality, adaptable to different housings, reasonable pricing, easy installation, very easy to remove when travelling, easy diopter adjustment

Cons: heavy, housing cannot be left on its back, hard to leave in place when travelling, sometimes too easy diopter adjustment

Who am I: Bent Christensen, underwater photographer for the last seven years. Presently I use Canon 5DM2 in an Ikelite housing with miscellaneous gizmos attached to it. I have a PhD in ecology, and work as an associate professor in a university in Sweden, where I teach university level tropical ecology courses. I also teach live aboard courses in coral reef ecology. I do research on Cymothoa parasites on anemone fish and I also deliver stock footage to a photo agency. Furthermore, I give a number of public talks on tropical ecology and reef ecology. For all this I use my under water pictures, so high quality pictures are fundamental to me.

Getting wide – the Sigma 8-16

July 12th, 2010

 
For underwater photographers, the Tokina 10-17mm fisheye zoom lens is about the best thing since sliced bread. It’s extremely versatile, super wide, and its close focus allows for dramatic close-focus-wide-angle shooting. If I could only have one lens for underwater, it would be the 10-17. Sometimes, though, I don’t want that fisheye perspective, and want a super-wide rectilinear lens. When shooting people or sharks, for example, I just don’t like what the fisheye perspective does to them. You can reduce the fisheye distortion in post processing, but that isn’t very satisfying and loses some image data.

 
[Click on an image to see a larger version]

Shot with Sigma 8-16mm at 8mm

Shot with Sigma 8-16mm at 8mm

For cropped frame cameras like the Canon 7D or the Nikon D300s, the typical rectilinear wide angle zoom lenses people use underwater are the Canon 10-22, Nikon 12-24, Nikon 10-24 or 12-24, Tokina 11-16 or Sigma 10-20.

Shot with Sigma 8-16mm at 13mm

Shot with Sigma 8-16mm at 13mm

And then there is the new Sigma 8-16mm F4.5-5.6 DC HSM Ultra Wide Zoom Lens. This is a wide lens, with a diagonal FOV (field of view) at 8mm of about 121º. For comparison, the Canon 10-22 FOV is 107º at 10mm. (Note, though, that the Tokina 10-17 diagonal FOV at 10mm is nearly a 180º fisheye view).

Shot with Sigma 8-16mm at 8mm

Shot with Sigma 8-16mm at 8mm

We got a hold of one of these lenses, so naturally I volunteered to jump into the water with it. I outfitted it to my Canon 7D, in a Nauticam NA-7D housing, and brought along 3 different sizes of extension rings. The dome I chose was the Zen Underwater 230mm superdome. Corner sharpness is certainly something to be considered with this wide lens, and the big 230mm dome is my best choice for getting decent corners. After trying the various Nauticam Locking Extension rings, I settled on the 60mm ring as being the best choice; no vignetting seen with this extension at any zoom setting, and corner sharpness turned out to be good. Quick Nauticam plug here – even with this big dome on, I felt confident jumping off of the boat holding this rig thanks to the Nauticam locking port system.

Shot with Sigma 8-16mm at 8mm

Shot with Sigma 8-16mm at 8mm

The Zen 230mm dome makes over/under shots much easier than with a smaller dome. The 8-16mm was a good lens choice for this shot taken at the Dry Tortugas – note how it keeps the lines of the old coaling dock straight. I think the 8-16mm lens and the Zen 230mm dome make a terrific combination for over/under shooting.

Shot with Sigma 8-16mm at 8mm

Shot with Sigma 8-16mm at 8mm

While I’m no lens tester, I did take the setup in the pool to get a couple of test shots. My limited testing indicated that with the Zen 230mm dome, corner sharpness was good to about f/7.1. I did notice some transverse chromatic aberration around the edges at all apertures. You can also see from this shot the relative lack of distortion, and that the straight lines look like straight lines.

Corner crop of above image

Corner crop of above image

Shooting T2i with the new NA-550D

June 28th, 2010

 
The first Nauticam NA-550D landed in our warehouse a few days ago – it didn’t take long before I managed to head to Key West and the Dry Tortugas for a quick dive trip. (So far, the oil from the gulf has not impacted the Dry Tortugas, but it is definitely a worry). I packed some lenses, a couple of Z-240 strobes, arms and also a 7D rig for some Nauticam family photos.

 
[Click on an image to see a larger version]

Nauticam NA-550D and big brother NA-7D

Nauticam NA-550D and big brother NA-7D


Since many T2i’s are purchased with the 18-55 kit lens (EF-S 18-55mm IS), I tried this lens first, using a Nauticam Compact Port 15 with the 18-55 zoom gear. This is a versatile combination, 18mm on the wide side is wide enough to get some decent reef scenes, and it will allow a 1:2 reproduction ratio on the 55 end. This combo has a lot of range in a small package, and is very handy for fish portraits. Given the small size of the NA-550D housing and this port, this is a compelling setup for someone who wants to travel light.

Juvenile Blueheads shot with 18-55mm

Juvenile Blueheads shot with 18-55mm at 55mm

My biggest problem on this trip, aside from the weather being a little rough thanks to a passing tropical wave, was that everyone wanted to try the housing. I only managed to get to use it for about 2 dives. Using the 18-55, my friend who is new to underwater photography, managed to get some nice shots.

Shot with 18-55mm at 18mm

Shot with 18-55mm at 18mm

The new latches on the housing proved to be easy to use and very secure. To open, you press the small release button and move the lever in the opposite direction past a mechanical catch, making it virtually impossible to open inadvertently.

Shot with 18-55mm at 55mm

Shot with 18-55mm at 55mm

I had the camera’s autofocus set to the default setting, such that the autofocus is initiated upon a half press of the shutter release. The NA-550D has a unique new two stage shutter release lever. The increased tactile feel of the two stages allows more control over the half press with less accidental actuation. Though I am more used to a configuration where the autofocus is moved to a different button, I found the default half press autofocus to be easy to use with this housing.

Shot with 18-55mm at 39mm

Shot with 18-55mm at 39mm

On the second dive, I traded the 18-55 for a Tokina 10-17mm fisheye lens plus zoom gear, combined with a Zen 100mm fisheye mini-dome plus Nauticam Locking Extension Ring 20. Trading out the lens is made easy by the new lens release on the NA-550D, and trading out the port is simple and secure thanks to the distinctive Nauticam port release mechanism. One thing I really liked was the lever to access the playback button, which made reviewing photos and video a breeze. I shot some in manual on this dive so I could try out the Av button lever. In what is apparently becoming a Nauticam tradition, I find this lever makes the camera easier to use inside the housing than by itself, i.e. instead of having to hold down the Av button and move the command dial at the same time, I just flipped the switch, then used the command dial to change the aperture, no need to hold anything down.

Shot with 10-17mm at 10mm

Shot with 10-17mm at 10mm

I also changed the camera to only autofocus when the * button is pressed. On the housing, the * button is the top button on the rocker button, and easily reached with my hands still on the handles. Since it is different than the 7D, it took a few tries to get used to the placement, but once I did it felt natural. I prefer this style of shooting, but for many people, the two stage shutter release will allow the default autofocus style to be the preferred method.

Shot with 10-17mm at 10mm

Shot with 10-17mm at 10mm

While we mostly concentrated on shooting stills this trip, I did shoot some natural light video with the T2i. This video is shot with manual exposure (using the ISO paddle lever to set ISO) and custom white balance, using Tokina 10-17. The video looks great at 1080p… I’ve uploaded it here to Vimeo, which is 720p and more compressed than I’d like, but not bad.

 


 
The NA-550D housings begin shipping June 30th.

NA-550D with 18-55mm in Compact Port 15

NA-550D with 18-55mm in Compact Port 15

Join us on Flickr, Vimeo and Facebook

June 16th, 2010

 
Join us on Vimeo and Flickr and show off your images and video taken with your Nauticam housing. We want to see your work! We want to see a photo of you with your rig too! For you Zen Underwater dome users, we’ve also made a special group for sharing Zen images. So start sharing!

Here are the links:

 


Nauticam on flickr



 


Zen Underwater on flickr



 







 



Join us on Facebook too!:



 





Legal Mumbo Jumbo:
Flickr is a registered trademark of Yahoo!, Inc.
Facebook is a registered trademark of Facebook, Inc.
Vimeo is a registered trademark of Vimeo, LLC.

More details on the 550D

June 9th, 2010

 
We’ve just received some renderings of the 550D that show some details that people have been asking about (click for larger images in a new window):

Larger ISO paddle lever

Fingertip ISO paddle lever



The larger ISO paddle lever extends the ISO control outward so that it is reachable from the handles. The ISO control is especially important for T2i video shooters as it will be the primary control for adjusting video exposure.

Detail of the locking latches

Detail of the locking latches.



The locking latches feature both a push button locking release and a mechanical catch that must be overcome, making it virtually impossible to open inadvertently.

Locking latches in open position

Locking latches in open position



Locking latches in open position

Locking latches in open position, detail

Announcing the NA-550D housing

May 26th, 2010

 
The newest member of the Canon DSLR lineup boasts an impressive number of advanced features at a price that is more in line with an entry level camera. Depending on where you are located, this camera is known as the Canon Digital Rebel T2i (North America), Kiss X4 Digital (Japan) or the Canon EOS 550D (worldwide). With its 18 megapixel sensor and 1080p HD video with manual control, some pundits have called it a baby 7D.

Nauticam 550D Housing

Nauticam 550D Housing

Call it what you will, this camera is now ready to go exploring the underwater world! We are proud to announce the imminent arrival of the NA-550D housing for Canon 550D/T2i. The NA-550D housing inherits the renowned piano keys from NA-7D housing, patented Nauticam port locking system, comfortable rubberized handles, and innovative ergonomic access to key camera controls. New features include locking housing latches, lens release lever, a fingertip ISO paddle, and access to the camera’s playback button from the left handle.

Nauticam NA-550D, front view

Nauticam NA-550D, front view

In keeping with the Nauticam philosophy, the NA-550D housing continues to innovate while building on previous success. Notable examples are the AV+/- switch, new fingertip paddle on the top of the housing to allow easy access to ISO control, a unique rocker lever for easy access to the star (*) and focus point selector buttons, and a piano key for accessing the quick control button.

 
The playback button is moved out to a lever on the left side of the housing accessed from the handle by the user’s thumb. All of these controls are designed to allow the underwater photographer complete access to the camera’s important functions without removing their hands from the handles. AV +/- is a pushbutton on the back of the camera body that must be held down while rotating a command wheel to change F-Stop in Manual Exposure Mode. The Nauticam AV +/- switch brings this control to the right side of the housing, easily accessed from the handle. This two position switch has a position for adjusting f-stop, and a position for adjusting shutter speed, eliminating the press and hold or long reaches required by other housings. The fingertip ISO paddle is designed with video shooters in mind, allowing quick exposure changes from the handle.

Nauticam 550D housing, rear view

Nauticam 550D housing, rear view

Another innovative ergonomic advancement is Nauticam’s new two stage shutter release lever. This mechanical lever greatly enhances tactile feel of the half press and full press positions of the shutter release button, allowing precise focus control, and less accidental shutter actuation.

New, easy to use locking latches eliminate the stainless steel latches used previously. This new closure method reduces overall size and is easier to operate. These locking latches are easy to close with minimal hand strength required, and protected from accidental opening by a locking detent. A lens release button is offered as standard equipment, allowing lens changes while a zoom gear is attached without opening the housing back.

NA-550D next to NA-7D

NA-550D next to NA-7D

NA-550D housing is the smallest housing in the Nauticam lineup, which should appeal to anyone concerned with the large size of some DSLR housings. This housing can still accommodate the same accessories as all other Nauticam housings, allowing use of an extensive line of lenses, ports, port adapters, lens gears, and viewfinders.

Nauticam 550D, open

Nauticam 550D, open

In short, we think the new Canon T2i and the NA-550D make for a compelling combo. Available soon from any of our dealers.

Contact us here for more information.

Zen 100mm on Nauticam – corners

May 8th, 2010

 
The Zen Underwater Fisheye-Macro 100mm Dome Port is one of my new most favorite toys. It’s tiny, great for travel, and most importantly works really well with the Tokina 10-17mm fisheye lens. The one knock that is sometimes mentioned on a small dome like this is corner sharpness. While it’s not really in my nature to do a lot of test shots, I wanted to see how just how much of an issue it really is with the Zen 100. So, I tossed a snorkel and swim goggles in the water for a subject, jumped in and took a series of shots at 10mm, decreasing in aperture by 1/3 stop from f/3.5 to f/22. Ok, maybe I skipped a stop here or there but, hey, I had to hold my breath.

 

Zen 100mm on Nauticam NA-7D

Zen 100mm on Nauticam NA-7D

Here are the shots… first, the full size image, and then a crop of the lower right hand corner (close corners are the problem ones). The end of the snorkel isn’t all the way in the corner, but, fortunately this pool is finished with an exposed aggregate so you can see the focus all the way to the corner.

Screen shot 2010-05-07 at 2.41.21 PM

Click here to see the test shots


As you would expect, the corner is soft wide open, i.e. f/3.5, but not as bad as I would have guessed. To my eyes, by F/11 it is sharp, but even by f/7.1 it is pretty good. Overall, I am impressed and pleasantly surprised about this. Given the small size and how close I can get to subjects with it, you can bet you’ll see this port on my housing more than any other.

Gator meets Nauticam, News at 11

April 30th, 2010

 
Underwater photographer Lazaro Ruda recently took a Nauticam NA-7D housing out to a local (West Palm Beach, Florida) reef he had seen many times before. What he hadn’t seen before was an alligator out at the reef. Yes, an alligator. American alligators are known to visit saltwater, but unlike crocodiles, they don’t tend to stay in saltwater for long. No one told that to this particular gator who was a couple of miles offshore.

 

Gator at Breakers Reef


 
Apparently unfazed, Laz was able to fire off some stills with the 7D, and then deftly switch to video mode and take a nice little video of the gator. While the gator didn’t seem to mind the stills, it apparently decided it was not ready for it’s video debut and swam off into the blue.

 
Laz had this to say of the housing: “BTW Chris… These photos and videos were taken with a 7D in a Nauticam housing. It’s amazing how stable this housing is considering how much my hands were shaking.”

 
A West Palm Beach TV station picked up the story aired it. The local anchors did a pretty good job of making fools of themselves. (”Why everybody stood around and took pictures I’m not sure”) Ok, so maybe those news anchors don’t appreciate what an amazing encounter this was, but we do. Thanks very much to Laz for letting us post this.


Click here for the WPTV West Palm Beach Story and Laz’s video

NA-7D comparative overview on Wetpixel

April 19th, 2010

 

Post on Wetpixel

Post on Wetpixel

Ross Gudgeon (aka “Gudge”) recently posted his thoughts about the Nauticam NA-7D housing on Wetpixel. We asked Ross if we could post a link to it, and he graciously agreed.

Nauticam NA-7D Review on Wetpixel

Ross and his wife live in Exmouth, Western Australia and regularly dive Ningaloo Reef. Ross is also a regular on Wetpixel and a Team Wetpixel member. More importantly, Gudge is now a Nauticam owner.

Visit Gudge and Mary’s website and online images