Join us at the Monterey Dive Festival, September 11-12, 2010, at San Carlos Park in Monterey, CA. We’ll have several Nauticam housings available for demo, fully rigged and ready to shoot. Bring your own media card and you can take home your photos.
For more info, click here: Dive Fest
Shoot me with a Nauticam!
Note from editor: This is a guest blog post by Lazaro Ruda. We’re publishing it here, un-edited.
Nauticam NA-7D Housing
In this ever changing world of electronics, keeping up with the latest camera gear can be difficult. “It’s the cook not the pan” is the adage that has kept me from upgrading from my five year old Canon 20D in a Subal housing. If the shape of the shutter button is not permanently engraved in my finger there’s still more to learn about the camera system.
Image by Lazaro Ruda
So it was with great reluctancy that I accepted an offer from Ryan at Reef Photo and Video (http://www.reefphotovideo.com/) to try out a Canon 7D camera inside the much talked about Nauticam NA-7D housing. While I had heard nothing but great things about both the camera and the housing there was a pleasant degree of comfort I had acquired over the years of using my Canon 20D.
Alas, I was up against the godfather of underwater camera toys and Ryan “made me an offer I couldn’t refuse.” Giving me a couple of weeks to trial test the whole setup in my home waters of Palm Beach, Florida gave me the opportunity to put this setup through its paces before I would decide whether it would replace my trusty Canon 20D setup on my maiden voyage to Indonesia.
Nauticam 7D and Subal 20D housings. Image by Lazaro Ruda.
Pouring over the inner workings of the Nauticam housing there is no question it is an engineering marvel of levers and gears that make its ergonomics one of its most impressive features. Most of the camera’s controls are within easy reach without the need to remove your hands off the housing’s handles. The controls on the top of the camera are the only ones that require a little stretching, but if there’s a control such as ISO or flash exposure compensation that is quickly needed this can be easily accessed via the Quick control button on the back of the camera.
Image by Lazaro Ruda.
There are buttons on the housing for every single control except for the RAW/JPEG, depth of field preview, LCD panel illumination, and the lens release button (Update: the lens release button has been added in their latest revision of the housing). Many important buttons have been relocated to within easy reach from the handles. The all important AF start button (AF-ON) is available via a thumb-controlled lever. Right below it is the video Start / Stop button which is also activated via a lever. Moving this control, located on the center top of the Canon 7D camera, to the side of the housing means there is less chances of camera shake when starting or stopping a video recording.
Buttons are located on the top right of the housing for the Canon’s metering mode / white balance selection, AF mode / drive mode selection, ISO speed setting / flash exposure compensation, and the multi-function (M-Fn) button.
| Nauticam has three piano keys located at the right rear of the housing which control the AF point selection / magnify, AE lock button / Index / Reduce button, and the setting button located on the center of the quick control dial on the Canon 7D. The Live View shooting / Movie shooting switch is easily controlled by a two position lever on the top right of the housing. This lever will reset itself to match the setting of the camera’s when initially activated. |
 Image by Lazaro Ruda. |
The dial on the left hand side of the housing controls zoom functionality on the lens. Its longer gear ratio allows for minute adjustment to the full zoom range. A mode change dial is located on the upper left hand corner with a small viewing window. When using this dial I prefer to view the information on the rear display than peering through the small viewing window.
Three accessory ports are located throughout the housing. Two on either top side of the housing — one of which can be used for installing a wired bulkhead for your strobe and the other for the optional hydrophone. The third accessory port located on the left center of the housing can be used for installing a remote switch port and other DIY possibilities. Hopefully a 90 degree mini-HDMI cable will be available at some point for the addition of a larger external monitor. Two fiber optic ports are located at the center front of the housing.
The all important shutter and aperture controls are conveniently placed within reach of the thumb and middle finger of your right hand. After input from previous Nauticam housing owners the rubber knobs for these controls have gone through several revisions. The ones on the housing I used are a deeply grooved, no-slip design.
An ingenious yet simply designed set of buttons are arranged in a pie-shaped pattern around the multi-controller button on the center rear of the housing. Quick access to this button means you can easily navigate throughout an image that has been magnified on the rear LCD. Using a combination of buttons you can even navigate diagonally. Some sources say this button was designed on a paper napkin over dinner one night. It is nice to finally have access to this functionality after so many years without it.
The off / on switch is located at the top left corner. This switch can reset itself in case it did not match up with the camera’s. Last, but certainly not least, is the shutter button on the camera. Having used the Subal’s smooth shutter button release button for years I was surprised to see how much I enjoyed the slightly less springy yet sensitive shutter button of the Nauticam — half press was easily attainable.
Image by Lazaro Ruda.
The use of the Canon 7D onboard popup flash for triggering external strobes optically meant the design of the housing was only slightly taller than the Subal housing for my Canon 20D. The weight of the housing, sans any port, is approximately 6.5 lbs — 1.5 lbs over that of the Subal 20D housing.
 Image by Lazaro Ruda. |
The build of the housing is an important factor for me. As a dive guide I can quickly put a lot of miles on a housing. Doing giant strides with the housing in-hand, handling the rigors of bumpy seas, and silty conditions are of the norm. Milled out of a block of aluminum and anodized in black there is no question this housing, like my Subal, was built to last. With an aluminum lip around the inside edge of the housing, putting the two halves together is almost foolproof. Three latches hold the two halves of the housing. An ingenious lock button under each latch keeps the latches from accidentally opening. |
Unlike my Subal housing, a very important item has been added to the Nauticam housing — a set of sacrificial zincs. These inexpensive zincs can help save the metal housing from pitting due to electrolysis between dissimilar metals. On my Subal 20D this turned out to be an issue especially around the locking latches because it lacked this item.
Installing the camera into the housing is simple with its tray system. Simply slide and lock a lever to secure the camera. Access to the compact flash card is possible with the camera installed in the housing’s tray. Changing batteries in the camera requires sliding the camera off the tray, though. A large domed flashing light and screeching sound indicates that the leak detector has been activated by the intrusion of water. A welcome addition was the fact there was enough space to leave the rubber eyepiece on the Canon 7D. Doing so on my Subal 20D would certainly cause a flood.
Another of the Nauticam’s big draw aside from its ergonomics is the number of port adapters available for it. It wasn’t long ago that once you purchased one particular brand of underwater housing any upgrades were going to be to the same maker unless you wanted to purchase all new wide angle and macro ports. This is no longer the case and Nauticam has set the trend by offering adapters that will allow Subal, Aquatica, Sea & Sea, Seacam, Nexus, and Ikelite ports to fit on the Nauticam housing. Using the Subal adapter on the Nauticam housing I was able to use all my different macro and wide angle ports without any problems (Update: a problem using the Subal fisheye dome without the use of an extension and Inon’s fiber optic cables has been resolved by using Nauticam’s own set of fiber optic cables).
Nauticam’s custom port locking system is simple and secure. Ports are popped into place without the need to push and twist the port avoiding the possibility of an o-ring dislodging itself. An external locking lever locks the port and keeps it from coming lose.
My only apprehension about the housing was the lack of a top window where I could easily observe the camera’s settings and properly meter while drifting down the reef. As it turns out many housing makers have followed suit with the newer cameras. This lack of a window is due to the complexity of the gearing in that corner of the housing. Viewing the large LCD screen on the back of the camera was almost as simple although using an enlarging viewfinder means having to hold the setup a little high to see the top settings buried just below the viewfinder’s underside.
Image by Lazaro Ruda.
With little knowledge of the inner workings of the Canon 7D I poured over the manual over night and by the next morning I was underwater shooting away. With so much functionality available to me I felt a bit overwhelmed at first, especially switching from stills to video, but I soon got into the rhythm of things.
Peering my eye through the Inon 45 degree viewfinder that Ryan recommended for shooting macro I was soon in visual heaven. How I could have survived all these years without the use of an enlarging viewfinder, even with my excellent vision, was beyond me? The image on the large screen, even while displaying the histogram, was leaps and bounds ahead of my Canon 20D. Notable to mention is the fact that switching between the Inon 45 degree viewfinder and the stock Nauticam eyepiece took only seconds. This is a nice feature if you’re going to be shooting a lot of video and do not want the magnifying viewfinder in the way.
Attached to the Nauticam housing was their Subal port adapter along with a four inch DP-64B Subal dome port which has worked really well for me with the Tokina 10-17mm and Nauticam’s custom gear — vignetting just slightly at 10mm due to the shade (a problem with using that specific dome port), but showing no distortion at the edges. A better option for those wanting to use a small port is to look into the Zen DP-100 dome port (http://www.zenunderwater.com).
 Image by Lazaro Ruda. |
Cramming the Inon Z-240 strobes close to the dome I approached some yellow cup corals and fired my first shot. It was love at first sight! The large LCD screen made reviewing my shots a cinch. This camera setup almost made me look as though I knew what I was doing. |
Close focus wide angle photos was the flavor of the day and much to my surprise the TTL functionality appeared to nail the exposure every time with the Inon Z-240 strobes. Adjusting the flash exposure compensation was sometimes needed. Waiting on the camera’s onboard flash to recycle was occasionally a problem, but only because I was using the TTL functionality. If I preferred to have the camera’s onboard strobe keep up with a fast-paced shooting style all that is necessary was to switch the onboard flash mode on the Canon 7D to manual and set the flash output to 1/128 (all via the Flash Control menu).
This camera setup’s additional weight was quite apparent underwater especially compared to my Subal Canon 20D setup which is neutral, or close to it, with most lenses except the 100mm macro. This extra weight did come in handy when shooting video in a current and allowed for steadier handheld shots.
As the week progressed the use of the camera quickly became easier. Switching from shooting photos to videos was quick and easy thanks to the easy access levers and Canon’s Camera User Settings (C1,C2,C3) on the mode dial. The housing’s ease of use made my next encounter an important aspect.
American alligator in salt water. Image by Lazaro Ruda.
On one of my dives on the reefs in Palm Beach, Florida I came across a fresh water alligator sitting in the sand in sixty feet of water near the reef. With the Nauticam in-hand I took a couple of shots and with the video capabilities easily available to me I quickly switched over and captured some video so others wouldn’t believe I had just Photoshopped an alligator on the reef.
Putting the setup through a number of dives on both the reef and on Palm Beach’s famous Phil Foster Park muck dive convinced me this camera was ready for Indonesia. How sure was I? I purchased my own Canon 7D camera so I would have two cameras available to me in Indonesia. I was already sold on this setup.
Before leaving for Indonesia I made one modification to the housing. Having been accustomed to the comfortable hand strap on my Subal housing, I attached the Subal strap to the Nauticam housing using a pair of tie-wraps. Handholding the Nauticam underwater with one hand while shooting was now an easier task.
Image by Lazaro Ruda.
With all my gear neatly packed in two 15 lbs. carry-on sized Polar Bear coolers (http://www.polarbearcoolers.com/) my complete setup went with me on every step of the way on its way to the Lembeh Straits. Thankfully my girlfriend was generous enough to carry one of the bags as her carry-on and we survived on bare essentials through the long plane ride.
Image by Lazaro Ruda.
The Nauticam housing was all setup with two Inon Z-240 strobes attached to the ball mounts located on the top of the housing. On the second set of ball mounts located on the handles I attached a Fisheye FixLED500 and FixLED1000 light that would serve as my video lights. The whole setup was compact enough, albeit heavy, to fit inside the carry-on sized Polar Bear cooler.
As the two weeks in Indonesia progressed I found myself more and more comfortable with the Nauticam housing. So much so that I rarely had to take my eye off the viewfinder to make camera adjustments and I could change to shooting video within a couple of seconds. This was most notable when switching to different AF area selection modes.
Image by Lazaro Ruda.
After going through a couple of revisions, I can honestly say that the latest Nauticam NA-7D housing is not lacking or troublesome in any way. Some early issues were quickly revised and the housing redone (something I have rarely seen any other manufacturer do).
Working the housing’s latches is a bit cumbersome in comparison to the twist locks on my Subal. It is not difficult to catch your fingers in between the latches and the handles of the housing. Taking the latches apart to clean out the track where the underlying latch lock is located is sometimes necessary when diving in silty conditions as any sand can keep these locks from functioning correctly. This is a simple 5 minute fix by removing two screws (be careful not to lose the spring when disassembling and reassembling the latch! This spring is under tension under the latch.)
When using the Canon 100mm lens I had to be extremely cautious that the manual / auto focus or the focus limit buttons on the lens aren’t accidentally tripped when installing the camera in the housing. This has been a problem even with my Subal housing. These two buttons are, in my opinion, useless on this lens and if you want to avoid any problems it might be best to carefully glue them in place or shave them down.
The handles on the housing have some spring to them, in part because they were mounting points for strobes or light, but at no time did this cause any issues.
Image by Lazaro Ruda.
Even with its couple of quirks I still feel this housing compliments the use of the Canon 7D for underwater photography nicely. There is no question this housing was designed with the input of an underwater photographer. The ease with which it makes the controls on the camera possible is worth its weight in gold. Fumbling with camera controls when an alligator is staring you down and giving you a split second to react before fleeing is a very important aspect of an underwater camera housing’s design.
Image by Lazaro Ruda.
Just as important is upgradeability. The underwater photography realm is riddled with expenses. It is good to see a manufacturer who has had the forethought to make adapters that will make numerous ports from different manufacturers useable with their housings even if it means losing out on the sale of one of their ports. These kinds of innovations are what make customers flock to their products and I am almost certain that Nauticam’s future in the underwater camera world is sure to be fruitful.
After a couple of glorious weeks of trying out the Nauticam NA-7D housing I had to reluctantly return the equipment back to Ryan at Reef Photo and Video. The godfather of underwater toys had unequivocally made another future sale with his ingenious marketing technique. Perhaps his marketing technique could be applied to the housing and automobile industry with much success… “Sir, try out your dream home (or car) for a couple of weeks and let me know what you think.” I have no doubt sales will quickly climb.
Unfortunately, until my bank account completes its multi-stage decompression stops I will have to make do with my trusty Subal and Canon 20D camera. Looking through the viewfinder on my Subal or the tiny LCD screen is like watching a movie on a 10 inch screen in an IMAX theatre. This cook is going to have to get used to cooking on an egg fryer instead of a wok, but thankfully the joy of cooking remains the same.
Image by Lazaro Ruda.
Laz Ruda
Christine Kornylak recently took a Zen Underwater WA-100 and Olympus E-PL1 out to the Channel Islands. Here’s her report (external link):
The Wide View: Diving the Channel Islands with the Olympus E-PL1 Micro Four Thirds Camera
Looking up a five story kelp bed off of San Clemente Island
No, not that kind of backscatter…. the kind that sells underwater photo gear including Nauticam housings. The guys from Backscatter Underwater Video and Photo recently invaded the Channel Islands of California to do some staff training and gear testing. This once a year trip allows the staff to get together to get some diving in, work on their skills, and yes, have some fun in the process. They invited me along to which I happily said yes, and after packing about 220 pounds of Nauticam, Zen Underwater, and cold water diving gear, I went to California.
Did I mention that I brought my drysuit? Well, good thing I did as the water was quite cold, even by California standards. On two of my dives, I registered a nippy 47 degrees at the bottom. Visibility was not the greatest, so yes, there was some of the other kind of backscatter to deal with. Despite the less than perfect conditions, there were plenty of great subjects underwater; everyone did around 4 dives a day and enjoyed the trip very much.
Nudibranch from Santa Cruz Island. Shot with Canon 7D in Nauticam with Canon 60mm macro and Nauticam C60 port
The boat was the Peace, out of Ventura. The Peace is well suited to the Channel Islands, with a wide beam and plenty of room for all that gear needed for cold water diving… not to mention a huge amount of photo gear.
The Peace
The new Sony NEX-5 came along for the trip for topside shooting. This is a cool little camera that packs an APS-C sized sensor and interchangeable lenses into a point and shoot size. It has a built-in panorama mode which entertained me for a long time.
Panorama shot with Sony NEX-5
I brought 3 complete Nauticam setups for the Backscatter guys to use… Canon 7D, Canon T2i and Nikon D300s. I also brought Nauticam ports to support some different lenses, plus a couple Zen Underwater 100mm mini fisheye domes. One of the Backscatter guys already owns his own Zen Underwater 230mm super dome, so that was in use as well. It was great to see how eager these guys were to try and get experience with the different Nauticam products.
Some of the photo gear
One more comment about the Peace… the food is awesome! (Sorry, no pictures of the food).
Peace dive deck panorama with gear. Photo by Berkley White.
Diving the Channel Islands is a unique experience, with some creatures and scenery you just don’t see anywhere else. From Purple Hydrocorals on Farnsworth Bank to the ubiquitous kelp forests to the myriads of nudibranchs on Santa Cruz, there is an amazing amount of life underwater here. This isn’t the first time these guys have been here and they know the best spots.
Horn Shark. Shot with Canon 7D Nauticam with Tokina 10-17mm fisheye behind a Zen Underwater 100mm mini fisheye dome
Shot with Canon 7D Nauticam with Canon 60mm EF-S.
Nudibranch from Santa Cruz Island. Shot with Canon 7D in Nauticam with Canon 60mm macro and Nauticam C60 port
The Backscatter Channel Islands Dive Team 2010. From top then left to right: Berkley White - Owner; Rusty Sanoian - Product Manager; Sean Boone - Web Sales; Rob Duncan - Sales; Mike Tamayo - Accounting / Sales; Craig Dietrich - Sales; Sterling Zumbrunn - Technical Support
Shot with Inon UFL-MR130
You might have heard of the Inon “bug eye” lens, officially called the Inon Underwater Micro Semi-Fisheye Relay Lens UFL-MR130 EFS60. Nauticam initially supported this lens with our “Macro port C60 – MR 130″ for Canon EF-S 60mm. Now, for you Nikon shooters who were feeling left out, we’ve also added Nikon support with our “Macro port N60 – MR 130″. Note that this port requires the Nikkor AF-D 60mm macro lens, and will not work with the AF-S 60mm.
Nauticam NA-7D housing with 60 macro port and Inon UFL MR 130
Shot with Inon UFL-MR130
The depth of field with lens is minuscule… so stopping the lens down as much as possible is important. With these sample shots, I generally was at f/22. To have any chance at getting a decent background exposure, I found I had to up my ISO up to the 320 or 640 range, and slow the shutter down as well. I found auto-focus to work sometimes; but mostly I resorted to manual focus.
Shot with Inon UFL-MR130
One of the things that I liked about the lens was, given the long physical length, is it puts the diver farther back from the creature, meaning the creatures seemed less afraid.
Shot with Inon UFL-MR130
And since I was shooting this with a Canon 7D, 1080p HD video is available. I didn’t shoot much video with it my first weekend out with the lens, but here’s a short clip to give you an idea of some of the possibilities.
Nauticam NA-550D housing featured on ScubaDiving.com:
For underwater photographers, the Tokina 10-17mm fisheye zoom lens is about the best thing since sliced bread. It’s extremely versatile, super wide, and its close focus allows for dramatic close-focus-wide-angle shooting. If I could only have one lens for underwater, it would be the 10-17. Sometimes, though, I don’t want that fisheye perspective, and want a super-wide rectilinear lens. When shooting people or sharks, for example, I just don’t like what the fisheye perspective does to them. You can reduce the fisheye distortion in post processing, but that isn’t very satisfying and loses some image data.
[Click on an image to see a larger version]
Shot with Sigma 8-16mm at 8mm
For cropped frame cameras like the Canon 7D or the Nikon D300s, the typical rectilinear wide angle zoom lenses people use underwater are the Canon 10-22, Nikon 12-24, Nikon 10-24 or 12-24, Tokina 11-16 or Sigma 10-20.
Shot with Sigma 8-16mm at 13mm
And then there is the new Sigma 8-16mm F4.5-5.6 DC HSM Ultra Wide Zoom Lens. This is a wide lens, with a diagonal FOV (field of view) at 8mm of about 121º. For comparison, the Canon 10-22 FOV is 107º at 10mm. (Note, though, that the Tokina 10-17 diagonal FOV at 10mm is nearly a 180º fisheye view).
Shot with Sigma 8-16mm at 8mm
We got a hold of one of these lenses, so naturally I volunteered to jump into the water with it. I outfitted it to my Canon 7D, in a Nauticam NA-7D housing, and brought along 3 different sizes of extension rings. The dome I chose was the Zen Underwater 230mm superdome. Corner sharpness is certainly something to be considered with this wide lens, and the big 230mm dome is my best choice for getting decent corners. After trying the various Nauticam Locking Extension rings, I settled on the 60mm ring as being the best choice; no vignetting seen with this extension at any zoom setting, and corner sharpness turned out to be good. Quick Nauticam plug here – even with this big dome on, I felt confident jumping off of the boat holding this rig thanks to the Nauticam locking port system.
Shot with Sigma 8-16mm at 8mm
The Zen 230mm dome makes over/under shots much easier than with a smaller dome. The 8-16mm was a good lens choice for this shot taken at the Dry Tortugas – note how it keeps the lines of the old coaling dock straight. I think the 8-16mm lens and the Zen 230mm dome make a terrific combination for over/under shooting.
Shot with Sigma 8-16mm at 8mm
While I’m no lens tester, I did take the setup in the pool to get a couple of test shots. My limited testing indicated that with the Zen 230mm dome, corner sharpness was good to about f/7.1. I did notice some transverse chromatic aberration around the edges at all apertures. You can also see from this shot the relative lack of distortion, and that the straight lines look like straight lines.
Corner crop of above image
Join us on Vimeo and Flickr and show off your images and video taken with your Nauticam housing. We want to see your work! We want to see a photo of you with your rig too! For you Zen Underwater dome users, we’ve also made a special group for sharing Zen images. So start sharing!
Here are the links:
We’ve just received some renderings of the 550D that show some details that people have been asking about (click for larger images in a new window):
Fingertip ISO paddle lever
Detail of the locking latches.
Locking latches in open position
Locking latches in open position, detail
The newest member of the Canon DSLR lineup boasts an impressive number of advanced features at a price that is more in line with an entry level camera. Depending on where you are located, this camera is known as the Canon Digital Rebel T2i (North America), Kiss X4 Digital (Japan) or the Canon EOS 550D (worldwide). With its 18 megapixel sensor and 1080p HD video with manual control, some pundits have called it a baby 7D.
Nauticam 550D Housing
Call it what you will, this camera is now ready to go exploring the underwater world! We are proud to announce the imminent arrival of the NA-550D housing for Canon 550D/T2i. The NA-550D housing inherits the renowned piano keys from NA-7D housing, patented Nauticam port locking system, comfortable rubberized handles, and innovative ergonomic access to key camera controls. New features include locking housing latches, lens release lever, a fingertip ISO paddle, and access to the camera’s playback button from the left handle.
Nauticam NA-550D, front view
In keeping with the Nauticam philosophy, the NA-550D housing continues to innovate while building on previous success. Notable examples are the AV+/- switch, new fingertip paddle on the top of the housing to allow easy access to ISO control, a unique rocker lever for easy access to the star (*) and focus point selector buttons, and a piano key for accessing the quick control button.
The playback button is moved out to a lever on the left side of the housing accessed from the handle by the user’s thumb. All of these controls are designed to allow the underwater photographer complete access to the camera’s important functions without removing their hands from the handles. AV +/- is a pushbutton on the back of the camera body that must be held down while rotating a command wheel to change F-Stop in Manual Exposure Mode. The Nauticam AV +/- switch brings this control to the right side of the housing, easily accessed from the handle. This two position switch has a position for adjusting f-stop, and a position for adjusting shutter speed, eliminating the press and hold or long reaches required by other housings. The fingertip ISO paddle is designed with video shooters in mind, allowing quick exposure changes from the handle.
Nauticam 550D housing, rear view
Another innovative ergonomic advancement is Nauticam’s new two stage shutter release lever. This mechanical lever greatly enhances tactile feel of the half press and full press positions of the shutter release button, allowing precise focus control, and less accidental shutter actuation.
New, easy to use locking latches eliminate the stainless steel latches used previously. This new closure method reduces overall size and is easier to operate. These locking latches are easy to close with minimal hand strength required, and protected from accidental opening by a locking detent. A lens release button is offered as standard equipment, allowing lens changes while a zoom gear is attached without opening the housing back.
NA-550D next to NA-7D
NA-550D housing is the smallest housing in the Nauticam lineup, which should appeal to anyone concerned with the large size of some DSLR housings. This housing can still accommodate the same accessories as all other Nauticam housings, allowing use of an extensive line of lenses, ports, port adapters, lens gears, and viewfinders.
Nauticam 550D, open
In short, we think the new Canon T2i and the NA-550D make for a compelling combo. Available soon from any of our dealers.
Contact us here for more information.
